Nina Levy

Thirty years after its celebrated debut, Douglas Wright’s Gloria lights up the stage once more, this time with a very special addition. The result, writes Nina Levy, is simply glorious.

Sydney Dance Company makes a triumphant return to Perth with Impermanence but the theme is lost in translation, writes Nina Levy.

The cast of An American in Paris barely puts a foot wrong and Nina Levy is swept along for the ride.

Each of the three works in West Australian Ballet’s inaugural ‘STATE’ program won over the opening night audience, writes Nina Levy.

Structural Dependency is yet more proof we don’t need to import world-class contemporary dance companies – they’re already here.